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June 18, 2023

Rob Papen Subboombass 1 1 2 Vst X86 X64 HOT

Rob Papen Subboombass 1 1 2 Vst X86 X64: A Review

If you are looking for a synthesizer plugin that can deliver deep, punchy, and versatile bass sounds, you might want to check out Rob Papen Subboombass 1 1 2 Vst X86 X64. This plugin is designed by the renowned sound designer and producer Rob Papen, who has created many other popular plugins such as Predator, Blue, and Albino. In this article, we will review Rob Papen Subboombass in detail, covering its features, pros and cons, installation and usage, comparison with other bass synthesizers, and where to buy and download it. By the end of this article, you will have a clear idea of whether Rob Papen Subboombass is the right plugin for you or not.

Rob Papen Subboombass 1 1 2 Vst X86 X64 HOT

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What is Rob Papen Subboombass?

Rob Papen Subboombass is a virtual analog synthesizer plugin that specializes in creating bass sounds. It is based on the same engine as Rob Papen Predator, but with some modifications and additions to make it more suitable for bass production. It has two oscillators, each with a sub-oscillator, that can generate various waveforms such as analog, spectral, string synthesis, noise, or samples. It also has two filters, two envelopes, two LFOs, a modulation matrix, an arpeggiator/sequencer, an effects section, and a preset manager. Rob Papen Subboombass can create a wide range of bass sounds, from classic analog to modern digital, from warm and smooth to dirty and distorted, from simple and solid to complex and evolving.

Features and specifications

Here are some of the main features and specifications of Rob Papen Subboombass:

Two oscillators with sub-oscillators that can generate analog, spectral, string synthesis, noise, or sample waveforms

Two filters with 12dB or 24dB modes and various types such as low-pass, high-pass, band-pass, notch, comb, or vocal

Two envelopes with ADSFR or ADSR modes and velocity modulation

Two LFOs with various waveforms such as sine, triangle, sawtooth, square, or sample-and-hold

A modulation matrix with 10 slots that can modulate various parameters such as pitch, filter cutoff, filter resonance, volume, pan, or effects

An arpeggiator/sequencer with 16 steps that can generate various patterns such as up/down/random/octave modes or user-defined modes

An effects section with four slots that can apply various effects such as distortion, bit crusher, chorus/flanger/phaser/ensemble/tremolo/vibrato/rotary/wah-wah/auto-wah/filter/fm/ring modulator/delay/reverb or EQ

A preset manager with over 1000 presets organized into categories such as basses/subs/leads/pads/fx/arps/sequences/synths/plucks/keys/drums/percussion/strings/brass/wind/vocal/samples or user presets

A graphical user interface that is resizable and customizable with various skins

A standalone version or a plugin version that supports VST/AAX/NKS Pros and cons

Rob Papen Subboombass has many advantages and disadvantages that you should consider before buying it. Here are some of the pros and cons of Rob Papen Subboombass:

Pros

Cons

- It can create a wide range of bass sounds, from classic analog to modern digital, from warm and smooth to dirty and distorted, from simple and solid to complex and evolving.

- It can be CPU-intensive, especially when using multiple instances or complex presets.

- It has a lot of features and options that allow you to customize and fine-tune your bass sounds.

- It can be overwhelming and confusing for beginners or users who prefer a simpler and more intuitive interface.

- It has over 1000 presets that cover various genres and styles, and you can also create and save your own presets.

- It can be hard to find the right preset for your needs, as some of the presets are too similar or too specific.

- It has a resizable and customizable graphical user interface that can adapt to different screen sizes and preferences.

- It can have some compatibility issues with some hosts or systems, especially older ones.

- It has a standalone version and a plugin version that supports VST/AAX/NKS formats, making it compatible with most DAWs and hardware controllers.

- It can have some bugs or glitches, especially when using the arpeggiator/sequencer or the effects section.

How to install and use Rob Papen Subboombass?

Installing and using Rob Papen Subboombass is relatively easy and straightforward, as long as you follow the instructions carefully. Here are the steps to install and use Rob Papen Subboombass:

Installation steps

Download the installer file from the official website or the online store where you bought Rob Papen Subboombass. You will need to enter your email address and serial number to access the download link.

Run the installer file and follow the instructions on the screen. You will need to choose the destination folder, the plugin format, and the license type (full or demo).

Activate your license by entering your serial number and email address. You will need to have an internet connection for this step. You can also activate your license offline by using a challenge/response code.

Launch your DAW or standalone application and load Rob Papen Subboombass as a plugin or a standalone instrument. You will see the graphical user interface of Rob Papen Subboombass on your screen.

Enjoy creating bass sounds with Rob Papen Subboombass!

User interface and controls

The user interface of Rob Papen Subboombass is divided into several sections, each with its own controls and parameters. Here is a brief overview of each section:

- The top section contains the preset manager, where you can browse, load, save, edit, or delete presets. You can also access the global settings, such as MIDI learn, skin selection, GUI size, etc. - The left section contains the oscillator section, where you can choose the waveform, pitch, volume, pan, phase, sync, FM, ring modulator, etc. for each oscillator. You can also choose the sub-oscillator waveform, volume, pan, etc. for each oscillator. - The middle section contains the filter section, where you can choose the filter type, mode, cutoff frequency, resonance, envelope amount, velocity amount, keyboard tracking amount, etc. for each filter. You can also choose the filter routing mode (serial or parallel) and the filter balance. - The right section contains the envelope section, where you can adjust the attack time, decay time, sustain level, release time, etc. for each envelope. You can also choose the envelope mode (ADSR or ADSFR) and the velocity modulation amount. - The bottom section contains the LFO section, where you can choose the waveform, rate, sync mode, phase offset, etc. for each LFO. You can also choose the modulation destination and amount for each LFO. - The bottom section also contains the modulation matrix section, where you can assign up to 10 modulation sources and destinations, such as pitch, filter cutoff, filter resonance, volume, pan, or effects. You can also adjust the modulation amount and polarity for each slot. - The bottom section also contains the arpeggiator/sequencer section, where you can create up to 16 steps of arpeggiated or sequenced notes, with various parameters such as note value, octave, slide, tie, accent, etc. You can also choose the arpeggiator/sequencer mode, such as up/down/random/octave modes or user-defined modes. - The bottom section also contains the effects section, where you can apply up to four effects to your sound, such as distortion, bit crusher, chorus/flanger/phaser/ensemble/tremolo/vibrato/rotary/wah-wah/auto-wah/filter/fm/ring modulator/delay/reverb or EQ. You can also adjust the effect parameters and the effect balance. Presets and sound design tips

Rob Papen Subboombass comes with over 1000 presets that cover various genres and styles of bass sounds. You can browse the presets by category, such as basses/subs/leads/pads/fx/arps/sequences/synths/plucks/keys/drums/percussion/strings/brass/wind/vocal/samples or user presets. You can also use the search function to find a preset by name or keyword. You can load, save, edit, or delete presets using the preset manager. You can also create and save your own presets using the user presets category.

If you want to create your own bass sounds from scratch or modify existing presets, here are some sound design tips that you can use with Rob Papen Subboombass:

Use the sub-oscillators to add more depth and weight to your bass sounds. You can choose different waveforms for the sub-oscillators, such as sine, triangle, sawtooth, square, or pulse. You can also adjust the volume and pan of the sub-oscillators to create stereo width or movement.

Use the filters to shape the tone and timbre of your bass sounds. You can choose different filter types and modes, such as low-pass, high-pass, band-pass, notch, comb, or vocal. You can also modulate the filter cutoff and resonance with envelopes, LFOs, or the modulation matrix to create dynamic and expressive bass sounds.

Use the envelopes to control the amplitude and modulation of your bass sounds. You can choose different envelope modes and shapes, such as ADSR or ADSFR. You can also adjust the envelope amount and velocity modulation for various parameters, such as pitch, filter cutoff, filter resonance, volume, pan, or effects.

Use the LFOs to add movement and variation to your bass sounds. You can choose different LFO waveforms and rates, such as sine, triangle, sawtooth, square, or sample-and-hold. You can also sync the LFOs to the tempo of your project or adjust the phase offset to create different rhythms and patterns.

Use the modulation matrix to create complex and interesting modulations for your bass sounds. You can assign up to 10 modulation sources and destinations, from warm and smooth to dirty and distorted, from simple and solid to complex and evolving.